Black and white photograph of loggers in a forest by Darius Kinsey. Black and white photograph of loggers in a forest by Darius Kinsey. Black and white photograph of loggers in a forest by Darius Kinsey.

The Long View: From Conservation to Sustainability: Works from the Bank of America Collection

June 13 – August 31, 2025

Today, there is a greater awareness of how environmental changes affect daily life. Throughout history, artists have been at the forefront of this conversation, delving into issues relating to the natural world.

The Long View features photographs, paintings, prints, and sculptures by artists who used their art to advocate for the conservation and protection of the planet and the creation of sustainable habits for the future. Spanning from the mid-nineteenth century to the present, the art on view charts the evolution of how we think about and interact with nature.

  • John James Audubon (Les Cayes, Haiti, 1785 - 1851, New York, New York), Printed by John T. Brown (England, 1801 - 1856, Philadelphia, Pennsylvania), "American Bison" from "The Viviparous Quadrupeds of North America," 1845 - 1848, hand-colored lithograph on paper, 35 1.4 x 39 1/2 in. On loan from the Bank of America Collection.
    John James Audubon (Les Cayes, Haiti, 1785 - 1851, New York, New York), Printed by John T. Brown (England, 1801 - 1856, Philadelphia, Pennsylvania), "American Bison" from "The Viviparous Quadrupeds of North America," 1845 - 1848, hand-colored lithograph on paper, 35 1.4 x 39 1/2 in. On loan from the Bank of America Collection.

    John James Audubon (Les Cayes, Haiti, 1785 - 1851, New York, New York), Printed by John T. Brown (England, 1801 - 1856, Philadelphia, Pennsylvania), "American Bison" from "The Viviparous Quadrupeds of North America," 1845 - 1848, hand-colored lithograph on paper, 35 1.4 x 39 1/2 in. On loan from the Bank of America Collection.

  • Carleton E. Watkins (Oneonta, New York, 1829 - 1916, Napa, California), "El Capitan, Yosemite," 1865 - 1866, albumen silver print on paper, 31 1/2 x 25 1/2 in., On loan from the Bank of America Collection.
    Carleton E. Watkins (Oneonta, New York, 1829 - 1916, Napa, California), "El Capitan, Yosemite," 1865 - 1866, albumen silver print on paper, 31 1/2 x 25 1/2 in., On loan from the Bank of America Collection.

    Carleton E. Watkins (Oneonta, New York, 1829 - 1916, Napa, California), "El Capitan, Yosemite," 1865 - 1866, albumen silver print on paper, 31 1/2 x 25 1/2 in., On loan from the Bank of America Collection.

  • Richard Misrach (Los Angeles, California, 1949 - ), "Battleground Point #21," 1999, chromogenic dye coupler print on paper, 28 x 32 in. On loan from the Bank of America Collection.
    Richard Misrach (Los Angeles, California, 1949 - ), "Battleground Point #21," 1999, chromogenic dye coupler print on paper, 28 x 32 in. On loan from the Bank of America Collection.

    Richard Misrach (Los Angeles, California, 1949 - ), "Battleground Point #21," 1999, chromogenic dye coupler print on paper, 28 x 32 in. On loan from the Bank of America Collection.

  • Arthur Rothstein (New York, New York, 1915 - 1985, New Rochelle, New York), "Mike Sullinger Who Has a Farm Near Carson, North Dakota, Looks for Rain," 1936, gelatin silver print, 17 3/4 x 14 3/4 in. On loan from the Bank of America Collection.
    Arthur Rothstein (New York, New York, 1915 - 1985, New Rochelle, New York), "Mike Sullinger Who Has a Farm Near Carson, North Dakota, Looks for Rain," 1936, gelatin silver print, 17 3/4 x 14 3/4 in. On loan from the Bank of America Collection.

    Arthur Rothstein (New York, New York, 1915 - 1985, New Rochelle, New York), "Mike Sullinger Who Has a Farm Near Carson, North Dakota, Looks for Rain," 1936, gelatin silver print, 17 3/4 x 14 3/4 in. On loan from the Bank of America Collection.

  • Wout Berger (The Netherlands, 1941 - ), "Ruigoord 2," 2002, color coupler print on paper, 20 5/8 x 26 1/2 in. On loan from the Bank of America Collection.
    Wout Berger (The Netherlands, 1941 - ), "Ruigoord 2," 2002, color coupler print on paper, 20 5/8 x 26 1/2 in. On loan from the Bank of America Collection.

    Wout Berger (The Netherlands, 1941 - ), "Ruigoord 2," 2002, color coupler print on paper, 20 5/8 x 26 1/2 in. On loan from the Bank of America Collection.

  • Darius Kinsey (Maryville, Missouri, 1869 - 1945, Sedro-Woolley, Washington), "Yarding Logs, Washington," 1936, gelatin silver print on paper, 17 1/2 x 20 1/2 in., On loan from the Bank of America Collection.
    Darius Kinsey (Maryville, Missouri, 1869 - 1945, Sedro-Woolley, Washington), "Yarding Logs, Washington," 1936, gelatin silver print on paper, 17 1/2 x 20 1/2 in., On loan from the Bank of America Collection.

    Darius Kinsey (Maryville, Missouri, 1869 - 1945, Sedro-Woolley, Washington), "Yarding Logs, Washington," 1936, gelatin silver print on paper, 17 1/2 x 20 1/2 in., On loan from the Bank of America Collection.

Organized into four thematic sections, the exhibition explores “The Beginnings of Conservation,” with late nineteenth and early twentieth-century artists like John James Audubon and Carleton Watkins, whose works influenced the founding of the Audubon Society and the National Park Service.

Moving into the early twentieth century, “Push and Pull—Industry and Environment” includes art by Regionalist artists Thomas Hart Benton and Grant Wood alongside Arthur Rothstein's iconic Dust Bowl images exploring the impact of unsustainable farming practices.

“The Emergence of Conservation Activism” focuses on postwar works and the emerging social and political focus on ecology during the late 1960s and 1970s. This section includes Robert Rauschenberg’s design for the first Earth Day celebration in 1970, and Michael Heizer’s innovative prints using plates made from recycled scrap metal waste.

Finally, “Working Towards a Sustainable Vision” highlights contemporary artists Aurora Robson and John Sabraw who pull pollutants such as plastic debris and acid mine drainage from our landscape to use as their materials, alongside other artists who emphasize the need to safeguard our planet in the face of its radical and continuing transformation.

This dynamic thematic exhibition brings together art from varied time periods, places, and media by beloved artists and fresh emerging talents. Their combined voices in The Long View provide an innovative look at the interaction between humans and the natural environment over time, revealing the wonders of our landscape, and inviting each of us to contribute to the conservation and sustainability of our shared home.

Presented through the Bank of America Art in our Communities® program, The Long View aligns with the Arkansas Museum of Fine Arts' commitment to sustainability.

Programs & Events

  • Member Preview Night

    June 12, 2025 / 5:00 – 8:00 p.m.

    AMFA Members, Circle Society, and Corporate Partners enjoy an exciting first look at The Long View during an exclusive reception with summer-inspired beverages and bites.

    GET TICKETS
  • Family Fest: Into the Wild

    June 14, 2025 / 10:00 a.m. – 1:00 p.m.

    Experience nature’s wonders through interactive artmaking, outdoor adventures, and hands-on activities.

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  • Member Lounge

    June 14, 2025 / 10:00 a.m. – 1:00 p.m.

    AMFA Members are invited to relax and enjoy complimentary drinks and snacks in an exclusive, members-only lounge during Family Fest: Into the Wild.

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  • Exhibition Tours

    June 14, July 19, August 9, August 30 / 10:30 a.m.

    Enjoy a guided look at several carefully selected works on view, gain a richer connection to the exhibition, and leave with a new understanding of the exhibition’s themes and narratives.

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  • Night Flowers: Artist Talk with Aurora Robson

    July 17, 2025 / 6:00 p.m.

    Discover how The Long View artist Aurora Robson transforms found and recycled materials into striking sculptures and installations.

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  • Family Fest: Reduce, Reuse, Recycle

    July 19, 2025 / 10:00 a.m. – 1:00 p.m.

    Discover imaginative ways to extend the life of everyday items by transforming them into art at this event presented in partnership with the Little Rock Sustainability Office.

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  • Plastic Paintings Workshop with Aurora Robson

    July 19, 2025 / 10:00 a.m. – 4:00 p.m.

    Collaborate with The Long View artist Aurora Robson to transform consumer plastics into intricate plastic paintings.

    REGISTER NOW
  • Family Fest: Art in Bloom

    August 9, 2025 / 10:00 a.m. – 1:00 p.m.

    Experience a day where art and gardens come together through hands-on artmaking in partnership with Little Rock Master Gardeners and Tipton & Hurst.

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Presented by

Bank of America

Additional support is provided by:
Anne and Merritt Dyke

This exhibition has been loaned through the Bank of America Art in our Communities® program.